The Mollies – large felt sculptures

Life size (in height) felted sculptures in their beautiful new home in Colorado.

The first  Molly, ‘Tall Molly’, took 6 months to develop and has been followed by two more and there is another  in the planning to fill this amazing space.

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Commissions welcomed!

 

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Making fab soap for felting

Chemistry in the kitchen

I make my own soap and have done for over 10 years and I always use it to make felt.

There is nothing quite so good as handmade soap and it can be made in bar or liquid form. There are many great websites and YouTube videos now that recount the history of soap and how to make the stuff – not the melt and pour variety but the cold process method  – it’s Chemistry in the Kitchen’!

If you would like to view the my soap course please click on this image:

For the ingredients I can’t find in the supermarket I go to The Soap Kitchen (UK) and there are also plenty of good suppliers on Ebay.

Enjoy!!

 

Felt Bowl

Shades of Time

White, natural Blue Faced Leicester wool bowl, Lino printed with a figurative motif. This small bowl looks wonderful against the contrasting, polished dark wood.

This is an example of a new line of sculptures that I am working on for my Etsy shop. More images and information soon about new products and shop opening.

 

 

Full size sculpture

It has taken me about 6 months to develop a full size felt figure and there have been plenty of problems to overcome along the way when upsizing from a 40cm tall figure to one that is 4 times bigger!

From these small figures…

 

…to this one – 164cm high

The problems I encountered were due to the scale of the figure and they began with the wire.

I tried heavy fencing wire however this just wasn’t strong enough to hold the figure up right one leg so I had a length of steel tubing  bent to follow the line of the spine down to the toe of the standing leg and built the rest of the body around this structure.

The musculature was added beginning with a layer of knitted woollen strips to cover the wire to form a base for the wool fibres. I used Blue Faced Leicester wool, wet felted in layers, to build the shape of the body and a steamer and sander to aid with the felting and fulling.

The final layer or ‘skin’ was felted separately and then stitched onto the the figure.

As you can see from the variety of figures in this post I have made several more! I am now going to experiment with adding the colour and texture straight onto the figures to cut out the rather lengthy processes of making the felt skin, stitching it in place and fulling with steam and sander. So watch this space!

Prism 2018 Hoxton Arches Gallery

One of the best Prism exhibitions!

‘TRANSIENT’

A selection of artworks from the exhibition

My submissions

Life dance

Comprised of 28 small figurative felt sculptures.

I use the wet felt method to create these little figures

Exploring the Senses

Two large figurative sculptures suspended

Both pieces together in the gallery

My art work is for sale and I also welcome commissions.

Please contact me for further information.

Molly

Tunbridge Wells Artisans is OPEN!!

The Stables next to the George Pub Mount Ephraim

– if you are in the area pop in for amazing artisan made products. find that original gift!

We’re open Wednesday – Sunday 11am to 4pm

Pottery, wood craft, silk garments, jewellery, glass, paintings and prints, Lino print, driftwood, felt, ceramic mosaic, soft furnishing, children’s clothing……..

 

 

Tunbridge Wells Artisans

Tunbridge Wells Artisans!

A new and exciting Arts and Crafts venue is opening in Tunbridge Wells, Kent on 17th November 2017 – just in time for Christmas.

The Stables, at the The George pub at the top of Mount Ephraim is a beautiful old building and perfect to host local artists and craftsmen!

 

I have booked my gallery space amongst the beams and rafters and there are still a couple of gallery spaces left – so check out the website!

Tunbridge Wells Artisans

 

New felt sculptures

I am working on four new felt sculptures in the form of Modern Dance.

ECHOTEK

The movement and emotion in this art form is wonderful and I use images of dancers to create the sculptures.

Starting with a wire I make a skeleton and then cover it lightly with knitted fabric to give me a soft layer to attach the wool fibres. I then build up the musculature with layers of wool fibre using soap and water to felt so that the final shape is firm and well sculpted.

 

The decorative skin is a piece of handmade felt that I hand stitch onto the body of the sculpture – this is the most time consuming part of the process.

Three dancers ready to be mounted on wood

I love the contrast between the rough felt and smooth polished wood – both are natural and compliment each other.

People often ask me how to look after their felt sculptures – and it is very simple!

Just wipe gently with a damp cloth to remove dust. Moths are the main concern especially in the summer. You can buy moth killer to spray on the felt or periodically put the felt sculpture in the freezer over night – this will kill any moth eggs.

I will be posting the dance sculptures in my shop in the near future and if you are interested in ordering a sculpture or would like me to notify you when new sculptures are ready – please contact me.

 

Hawaiian Symbols and Tattoos

I am researching the origins and symbolism of Hawiian tattoos as part of pattern design development for men’s swim and sportswear.

As always the history of any pattern is fascinating – just follow the creative trail of human endeavour!

Polynesians from the Marquesas Islands first came to Hawaii about  1,500 years ago and 500 years later Tahitians arrived bringing there taboos and customs that included the art of tattooing.

Tattooing was unknown in the western world before to Captain Cook’s first voyage through Polynesia in 1778

The word tattoo is one of only a few words used internationally that have a Polynesian origin coming from the word ‘tatau’ used in Tahiti, Tonga, and Samoa. In Hawai‘i the word became ‘kakau’

http://www.coffeetimes.com/tattoos.htm

 

As the name suggests, the origin of tattoos goes back to indigenous tribes in the Bronze Age, which was about 5000 years ago. In fact the word “tattoo” derives from the word “tatau” in Polynesian. All of the people living on Marquesan island in Polynesia were tattooed. They regarded the tattooed symbols as a form of language. In this particular culture the images were usually inspired by animals. For example, shark teeth represented protection, and shells meant wealth. Other common symbols included turtles, fish hooks, and lizards. Due to the early origins of this style of tattooing, no one is really sure exactly how it was first developed. Some theorize that it was likely an accident that led to the first tribal tattoo.

Tribal tattooing was not just a physical adornment. It was also part of a tribes spirituality. There were three major factors that took the practice of tribal tattooing from being purely art to being a spiritual symbol as well: Pain, Permanence and Loss of the Life Source (blood). This mystical trio elevated the tattoo from mere art and transformed it into an opportunity to draw people into a relationship with God.

Because body and soul were generally thought to be identical to one another, your tattoos then existed on both the physical and spiritual planes.

While meanings vary from culture to culture and time period to time period, there are many similarities across these cultures and times.

Polynesian Culture

  • Protection
  • Wealth
  • Courage

Maori Culture

  • Social Status
  • Rank
  • Job
  • Achievements
  • Inner Strength

European Culture

  • Membership

Modern Cultures

  • Membership of Fraternal Order, Military, or gang
  • Marriage
  • Rights of Passage
  • Totem Animal Guardianship
  • Magical Reasons

http://www.tattooswithmeaning.com/tribal-tattoo-meaning/

Mood board for design development

I used a great little iPad app “Moodboard lite’ to create this board.

This is a great site for information about Polynesian tattooing and its history and symbolism and cultural significance:

Initial pattern sketches

 

 

Make it in Design Summer School

I have joined the Make it in design Summer School 2017. The course is a fun series of briefs focused on experimenting with new patterns ideas and techniques for surface patterns designers.

Week 1 Brief

Your brief is to design a mystical, tribal inspired
pattern using the following prompts:
  • Be inspired by the supernatural, geometry, astronomy, magic, nature, minerals and the cosmic to create your pattern
  • Think about dark symbols, landspaces, the cosmos, flower mandalas, fractals, geometric shapes, symmetry and symbols

Key words that attract me:

Mandalas

  •  Circular designs symbolizing the belief that life is never-ending. A Mandala represents wholeness, and is an apparent shape in life, the earth, moon and sun

Symbols

  • Representations of life, fecundity, ritual, war, protection, communication
  • Viking Runes
  • Textile patterns – carpets and cultural clothing

Fractals

A fractal is a never-ending pattern. They are created by repeating a simple process or pattern over and over.

  • Shell, flowers, ferns, crystals

Geometric design

  • Islamic patterns
  • Precision and repetition

Repetition, movement and symbolism are key points for the design development that I will start today! More later next week – deadline 9th August so I’m gathering my pens, pencils and geometry kit and heading to my studio!

References:

Islamic Geometric Patterns 12 May 2008 by by Eric Broug

Viking Language 1 Learn Old Norse, Runes, and Icelandic Sagas: Volume 1 (Viking Language Series) by Jesse L. Byock

Hali Magazine

www.mandalas.com