Ceramic & textile sculptures

Finally ready for the fire.

To create these figures I started with a twisted wire skeleton and covered it with ribbon cut from a medium weight wool/acrylic sweater. I then coated the wool fabric liberally with paper clay slip. Once this layer had dried I applied ribbons of wool fabrics soaked in the clay slip – wound onto the legs and arms, shaping as I went.

Paper Clay Slip – Add 5–15% paper pulp to the stoneware clay slip mixing it thoroughly with a drill mixer. I soaked shredded loo paper in water, with a capful of bleach, over night and then pour the lot through a colander, pressing out the excess water before adding to the clay slip.

Next, I used stoneware paper clay to form the torso – making a smooth surface to contrast with the wool texture on the legs and arms. Once I had the shape I wanted I left the figures to dry slowly to prevent the clay from cracking.

 

Firing plan

I have a large steel drum and also several metres of ceramic fabric to insulate from the outside. A local joinery has lots of sawdust and there is plenty of wood in the shed.

Plan to cover with figures in organic material such as banana skin and may wrap in aluminium foil before placing in the drum kiln.

Colours

  • Hardwoods- Black/dark grey
  • Drift wood – Blue/greys, aqua shades, grey/black
  • Seaweed roots – Brown, rust, beige
  • Kelp – Yellow, orange
  • Table salt – Orange, yellows
  • Sea salt – salmon pink, orange, yellow
  • Copper carbonate – green, black, maroon
  • Ferric chloride – iron reds, yellow, orange

The ceramic network

You can place colourants in the bedding, around each piece, on top of each piece, or even throw it at the pieces during the firing. Each can result in different effects in the coloration. When you bury the colourants, it will add color late in the firing. If you place in around or on the piece it will colour in the middle of the firing. When you throw it in you can get instant colouring much like a star burst pattern.

  • Copper Carbonate – greens, blues, maroons, reds
  • Copper Sulfate – greens, blues, maroons, reds
  • Cobalt Carbonate – blues
  • Ferric Chloride – reds, yellows, oranges
  • Steel wool- blues, greys, pinks
  • Banana peel- greens, grays
  • Copper wire – red, black, blue, green, whites depending on wire
  • Sawdust- black, grey, blue-grey,
  • Cow pies – blacks, yellows, greens, greys, browns
  • Bacon Grease – brown/greens
  • Sodium Chloride- Orange, yellows, salmon, peach, gold
  • Coffee Grounds – browns, greens, blues
  • Leaves – brown/greens
  • Grass – brown/greens
  • Miracle Grow fertiliser
  • Red Iron Oxide – browns, maroons, rust

Up in smoke pottery

 

Colourants I will use:

  • Copper sulphate
  • Copper wire
  • Ferris oxide – rusty tub
  • Banana skins
  • Table salt
  • Tumeric
  • Leaves from perennials -robinia, laurel
  • Hard woods

Before placing the figures in the drum I will put them in the kitchen oven and to heat to a good temperature – hoping to prevent stress fractures.

Firing day is Tuesday 26th February!

References:

Pit Firing

http://www.eduardolazo.com/pitinstruct.html

Pit Firing Using a Good Old-Fashioned Charcoal Grill

http://www.upinsmokepottery.com/pit-firing.html

video

 

 

 

Figures in ceramics – work in progress

 

The Prism 2019 theme is ‘Fragility’ and knowing just how robust the process of making the felted figures is I really can’t imagine them as fragile. However by combining clay with the fibres on wire would create a fragile form – the fibres being burnt out in the kiln….

Problems:

  • I am not a ceramicist! – I did experiment with this technique during my degree but is was rather unsuccessful.
  • Finding a kiln – could ask the lovely people at Brighton University where they have huge kilns that I used to experiment and the Phoenix centre rent kin space – not as big….. or I could pit fire the pieces myself…..

Chris Dunn – great teacher

First attempt 22.10.18

Looks good – shows potential however the clay cracked on drying and on further research realise that I should use a paper clay…

As I have already bought a large slab of stone ware clay and a pot of slip I need a recipe!

Next… paper clay making!

 

The Mollies – large felt sculptures

Life size (in height) felted sculptures in their beautiful new home in Colorado.

The first  Molly, ‘Tall Molly’, took 6 months to develop and has been followed by two more and there is another  in the planning to fill this amazing space.

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Commissions welcomed!

 

Making fab soap for felting

Chemistry in the kitchen

I make my own soap and have done for over 10 years and I always use it to make felt.

There is nothing quite so good as handmade soap and it can be made in bar or liquid form. There are many great websites and YouTube videos now that recount the history of soap and how to make the stuff – not the melt and pour variety but the cold process method  – it’s Chemistry in the Kitchen’!

If you would like to view the my soap course please click on this image:

For the ingredients I can’t find in the supermarket I go to The Soap Kitchen (UK) and there are also plenty of good suppliers on Ebay.

Enjoy!!

 

Felt Bowl

Shades of Time

White, natural Blue Faced Leicester wool bowl, Lino printed with a figurative motif. This small bowl looks wonderful against the contrasting, polished dark wood.

This is an example of a new line of sculptures that I am working on for my Etsy shop. More images and information soon about new products and shop opening.

 

 

Full size sculpture

It has taken me about 6 months to develop a full size felt figure and there have been plenty of problems to overcome along the way when upsizing from a 40cm tall figure to one that is 4 times bigger!

From these small figures…

 

…to this one – 164cm high

The problems I encountered were due to the scale of the figure and they began with the wire.

I tried heavy fencing wire however this just wasn’t strong enough to hold the figure up right one leg so I had a length of steel tubing  bent to follow the line of the spine down to the toe of the standing leg and built the rest of the body around this structure.

The musculature was added beginning with a layer of knitted woollen strips to cover the wire to form a base for the wool fibres. I used Blue Faced Leicester wool, wet felted in layers, to build the shape of the body and a steamer and sander to aid with the felting and fulling.

The final layer or ‘skin’ was felted separately and then stitched onto the the figure.

As you can see from the variety of figures in this post I have made several more! I am now going to experiment with adding the colour and texture straight onto the figures to cut out the rather lengthy processes of making the felt skin, stitching it in place and fulling with steam and sander. So watch this space!

Prism 2018 Hoxton Arches Gallery

One of the best Prism exhibitions!

‘TRANSIENT’

A selection of artworks from the exhibition

My submissions

Life dance

Comprised of 28 small figurative felt sculptures.

I use the wet felt method to create these little figures

Exploring the Senses

Two large figurative sculptures suspended

Both pieces together in the gallery

My art work is for sale and I also welcome commissions.

Please contact me for further information.

Molly